The Easiest Way to Sync Korg Monotribe with Ableton Live

April 13th, 2012 § Leave a Comment

Do you own a Korg Monotribe? Have you been searching for a way to sync the Monotribe with Ableton Live? Me too. MIDI mod kits (props to Amazing Machines, I’ll be buying your kit soon) seem the best option, but in the meantime I’ve got this thing on my desk and I’d really like to sync it up to something. So tonight I dug into Abe Duque’s Monotribe 2.0 review on Dubspot’s blog and picked up a bunch of tips on the new operating system as well as a nifty way to use an audio output from your sound card to run a sync signal to the Monotribe. Awesome! But wait. I only have stereo output on my sound card. So for a moment I Google some multi-input sound cards.. then it hits me.

First I keyboard-map the letter T to my Tap Tempo button in Ableton Live. Next I turn the tempo knob of the Monotribe down as far as I can, slowest setting possible. Play a 1/3/5/7 beat on the Monotribe. Press the T button in sync.

The Magic Moment: At slowest tempo, the Korg Monotribe is 112 BPM (STEADY) at (steps 1/3/5/7), 56 BPM at (steps 1/5).

Akai’s new iPad-based MPC Fly

April 11th, 2012 § Leave a Comment

Guest blogger Steven Williams got to look at the MPC Fly at Musikmesse and sent us his thoughts:

The new Akai MPC Fly combines two of the most iconic musical production tools of the last few decades, the MPC controller and the iPad. As you’ve probably noticed by the images, the two devices seamlessly combine to create a laptop style case that securely protects you’re iPad. But the Fly is much more than just a case; it has 16 genuine MPC velocity-sensitive pads in the familiar 4×4 layout and a four-track sequencer for beats on the go. The MPC Fly is built with the same quality as the rest of the MPC series but as it costs just £170, it needs to be integrated into a DAW or higher-end MPC unit to be used to its full potential. Ideally you make you’re beats on the go and then take you’re results back to the studio and optimise them. (Author’s note – its important that I stress it isn’t compatible with the 1st generation iPads so don’t make that mistake.)

With the introduction of the iPad you get the obvious benefit of a well-designed and integrated app and it looks like Akai have taken great time and effort in creating the application side of the Fly. Like I’ve mentioned, you can sequence 4 tracks at the same time and there’s an existing library of various drum sounds and samples that were at a higher quality than I was expecting. You can also adjust each sample’s velocity, length and tuning through what Akai’s renowned the 16 level mode.

I really like the Akai MPC Fly because it is targeted a larger audience but for various purposes. It could be a producer’s best friend and be used to fine-tune songs on the way to the studio or by you’re average guy in his room making tunes. You also get guaranteed quality with MPC and for £170 you can’t really go wrong.

Teenage Engineering Release OP1 Update (12616)

March 22nd, 2012 § Leave a Comment

Teenage Engineering uploaded a nice gift for their user base yesterday with the release of a new operating system (OS#12616) that you can download from TE’s website. Below are some features that have been added/fixed:

- Tape import from external material now possible.
- Added MIDI Start and Stop.
- Added Finger key copy.
- Sequencers now respond to external MIDI notes.
- Battery indicator improved.
- Added MIDI indicators in the signal flow screen.
- Added Hi Res rec level control in tape screen with shift.
- Drum Sampler snapshot saving did not always function correctly. Fixed.
- What you hear downmix was not done correctly. Fixed.
- Ghost jumps backwards could sometime result in a gap in playback. Fixed.
- LFO did not update all graphics correctly. Fixed.

9-9-09 (An Oral History of Drum Machines)

March 21st, 2012 § Leave a Comment

This is a documentary celebrating the 25 year anniversary of the Roland TR909. In this documentary, narrated by Robbie Ryan, we traverse the history of the programmable drum machine from the CR78, TR808, TB303, TR909, and LinnDrum, with audio examples of each.

Teenage Engineering OP1 + Ableton Live – MIDI LFO

March 21st, 2012 § Leave a Comment

In SYNTH and DRUM modes you can press SHIFT + T4 to access the LFO section. Here is a quick demonstration on how to use it. Enjoy!

Numark iDJ Live – A Fun Little Surprise with this iPad Djay Controller

March 20th, 2012 § Leave a Comment

Numark iDJ Live

Last week I became slightly obsessed with finding a DJ control surface for the iPad. There was a possibility of hotel party on the weekend and I didn’t want to bring a computer or DJ rig.. but I really wanted to bring some music. The iPad itself is not an ideal dj interface; the lack of tactile control ruins the fun for me. Now you’d imagine that within the prolific world of DJ applications there might be more hardware controllers on the market for iPad use. But most developers have focused on the application side of the experience rather than the hardware.. and there’s really not much out there besides this piece of hardware designed by Numark that works with Algoriddm’s popular Djay iOS application. So I gave it a shot.. what the heck, right? Sam Ash has a 30 day return policy. But you know what? After a week of playing with this thing, I don’t think it’s going back.

Now I feel the best way to approach this mini-review is in Top-Gear style (if you’ve never seen Top Gear, they have what I’d call a reverse complement-sandwich approach) where I’ll begin with where this device falls short and why you’d never want to use it for a pro gig. I really didn’t think that I would like this device for the sake of it’s DJ-Hero style design and immediately upon opening the box I realized this interface lacked many features that I take for granted in other dj setups.

The initial groans happened when I realized that the headphone / monitor functionality of this program/device happens via a simple 1/8th inch stereo to mono splitter cable. This means you must run a mono output if you want to use monitor headphones. In addition there’s no headphone volume on the iDJ Live (a splitter cable gives you the headphone output). After playing around with the output options on different stereos I concluded that I could not deal with the sound of this split/mono signal. Some modern house tracks seemed to phase into the abyss without the stereo field. The next issue I found was that the EQ works fairly well but there’s no mid-band EQ, only Hi and Low (mid exists in the Djay app but not on the interface). The third thing I realized about iDj Live was – no pitch faders. The pitch faders do exist within the Djay application but they are therefore on your iPad – not the place where I want to find them. Upon realizing this I thought – well the sync better work.

And here comes the good news. The Djay application is actually a well-designed app that has been finessed to give you the feel of working with vinyl. The BPM detection and sync functionality are actually really good. Djay misread the tempo on a few of my tracks but for the most part it could detect and match the BPM of most house tracks I ran through it along with some dub, bass, techno and electro. Now an interesting thing about the sync feature is that it doesn’t seem to work the same way that Traktor does with Beat Grids. It does detect a Beat Grid, and to some extent it reads the timing / phrase. But it’s not always accurate. Strangely, this is part of why I started to like this device.

While Djay offers a beat-matching functionality, it’s not perfect and therefore you have to pay attention to the mix and adjust things as you go. With Djay and the iDJ Live I found I had JUST ENOUGH control over the mix that I could keep it running for a good three or four minutes. There are four buttons (two for each deck) at the top of iDJ Live and I found that a quick press in either direction could nudge a track back into the mix fairly easily. The platters on the device are actually a lot of fun in Scratch Mode, but be sure to switch modes when you’re using the EQ because a small bump can skip your record. I can forgive this because the scratch function is tactile and accurate. I found that I could drop a beat into a mix by hand and quickly get things in sync with minor adjustments.

As a DJ who came up on 1200s and CDJs, I like beat matching. I believe this love has a lot to do with the meditative side of the DJ experience. It also provides the gratification of training your ears and timing. When I am IN the mix I find more spontaneity in my mixing and choice of music.  When I’ve used Traktor I find that my mixing is often very structured and when the Sync button is depressed I get incredibly bored with the DJ experience. With the iDj Live and Djay app, two things happened that made me enjoy the experience. First, I had to ride the mix a bit (even with sync being used) and the control experience of the platters reminded me of turntables. Second, I got away from my computer. I spend far too much time in front of a computer monitor and I’m eager to get away at any chance. The iPad is not exactly getting away from the computer but  it’s different enough (and small enough) to make it feel like a different experience. Add to this the tactile control for scrolling through your music library with the Numark hardware, and it just feels better than a laptop.

One benefit of using the iPad as your music source is that you must decide what to put on it. By limiting my music selection to whatever fits on the iPad there is a back-to-roots sort of thing happening. It used to be that you had to fit ALL your music into one or two bags for a performance and you’d practice with those tracks. Today there is endless possibility for selection when you have a 3TB hard drive and I find that a lot of DJs don’t take time to create a flow with their mixes. I’ve always felt that art is best created with limits, and DJing is no exception. I’ve recently found a nice workflow of dumping all my new tracks onto the iPad and then later using the iPad and iDJ to sift through the music and find mixes. For some reason the experience is much more gratifying than dropping tracks into Ableton or Traktor. Being away from the computer allows me to listen differently and I can discern which tracks need to stay in the collection and which can go.

Currently iDj Live sits on a small shelf in my living room with the iPad plugged into a small Bose portable speaker. It sounds nice when the levels are set at 50% – just loud enough to rock out but soft enough to not bother the neighbors. I don’t use the splitter cable nor do I use headphones for mixing with this unit. I find that the waveform display allows me to cue up a track visually while using the platters and the bpm sync is usually close enough to drop the track in and use the + and – buttons to get things running in sync. The EQ is not extensive but if I find tracks that work together in this sort of setup they are guaranteed to work together in a pro format. And that’s part of the point of all of this. When I play professional gigs I’ll most likely use 1200s,  CDJs, and possibly Serato/Traktor. But I don’t have room for a massive digital DJ setup in my house (and I’d rather spend that money on synths these days).  I’ve been looking for a solution to this dilema and for $80, the iDJ Live seems to be working fairly well. It’s small, light, easy to use and a lot of fun to have sitting around for spontaneous mix sessions. I look forward to future updates of Djay as well. Algoriddm seems to be doing great things with this program.

Ps, Did I mention that my 14 month old LOVES it?

Will Marshall’s DJ Template Pro for APC 40: Walkthrough

March 20th, 2012 § Leave a Comment

“This is a walkthrough of my DJ Template for the Akai APC40. It provides an overview of all the core features, but does not go into detail. To download the template, visit WillMarshall.me

Doepfer Announces Dark Energy 2 at Musikmesse 2012

March 19th, 2012 § Leave a Comment

Doepfer has released some interesting news about the (now discontinued) Dark Energy synth and plans to release a new version sometime in the near future:

The Dark Energy (I) has to be discontinued because an important electronic part (CEM3394) is no longer available. We are working on the redesign of the Dark Energy at full speed. The new Dark Energy II will look like the Dark Energy I at first sight. Only the function of some controls and switches will differ from the Dark Energy I. These are the most important differences between Dark Energy I and II:

  • 12dB multimode filter with lowpass, notch, highpass and bandpass (instead of 24dB lowpass of Dark Energy I)
  • the previous LM control of the filter becomes the filter type control (continuous crossfade lowpass – notch highpass – bandpass)
  • the LM function of the filter is no longer available
  • the waveform switch is used to select between saw and clipped/distorted saw (in the center position the saw is off)
  • the basic waveform of the VCO is saw (not triangle like the Dark Energy I).
  • because of the pure analog circuit and the temperature control it takes about 30 minutes until the VCO is in tune.
  • the VCA has a exponential scale (not the combined linear/exponential scale of Dark Energy I)

All other functions will remain unchanged. Even the price will be the same (currently Euro 428). The Dark Energy II will be probably available summer 2012.

Behringer CMD Studio 4A + Command Series DJ Controllers

March 16th, 2012 § Leave a Comment

DJ CONTROLLER CMD STUDIO 4A
- 4-Deck DJ MIDI Controller with 4-Channel Audio Interface
- Highly integrated 4-deck controller with built-in 4-channel USB audio interface
- Powerful 4-channel USB audio interface with 24-bit converters and ultra-low latency operation under Windows and OSX operating systems
- Large 6” touch-sensitive high-resolution control platters for precise control
- Class-compliant MIDI protocol enables DJs to use the CMD Studio 4A with any MIDI software
- Professional 100 mm pitch faders and 60 mm volume faders for ultimate feel and resolution
- Complete mixer section with crossfader and 2 channel faders, 3-band EQ, EQ kill, FX assign, cue and track load buttons
- Full-fledged deck sections including key lock, pitch control, auto looping, 8 hot cues and full control over 2 FX modules
- Backlit buttons responding to the application – no need to look at the computer screen
- MIDI-reactive controls take your eyes off the computer screen
- Slim tabletop design for ultimate portability
- Compatible with other BEHRINGER CMD controllers for full expandability
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany

DJ Thomas White (Natural Rhythm) Drops OP1 Knowledge

March 16th, 2012 § Leave a Comment

Thomas White created some of my favorite records of the early 2000′s. More recently he’s been working with Teenage Engineering’s OP1 and teaching the world his findings on youtube. These are some of the best OP1 tutorials online today. Thanks, Thomas!

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