April 11, 2012 § Leave a Comment
Guest blogger Steven Williams got to look at the MPC Fly at Musikmesse and sent us his thoughts:
The new Akai MPC Fly combines two of the most iconic musical production tools of the last few decades, the MPC controller and the iPad. As you’ve probably noticed by the images, the two devices seamlessly combine to create a laptop style case that securely protects you’re iPad. But the Fly is much more than just a case; it has 16 genuine MPC velocity-sensitive pads in the familiar 4×4 layout and a four-track sequencer for beats on the go. The MPC Fly is built with the same quality as the rest of the MPC series but as it costs just £170, it needs to be integrated into a DAW or higher-end MPC unit to be used to its full potential. Ideally you make you’re beats on the go and then take you’re results back to the studio and optimise them. (Author’s note – its important that I stress it isn’t compatible with the 1st generation iPads so don’t make that mistake.)
With the introduction of the iPad you get the obvious benefit of a well-designed and integrated app and it looks like Akai have taken great time and effort in creating the application side of the Fly. Like I’ve mentioned, you can sequence 4 tracks at the same time and there’s an existing library of various drum sounds and samples that were at a higher quality than I was expecting. You can also adjust each sample’s velocity, length and tuning through what Akai’s renowned the 16 level mode.
I really like the Akai MPC Fly because it is targeted a larger audience but for various purposes. It could be a producer’s best friend and be used to fine-tune songs on the way to the studio or by you’re average guy in his room making tunes. You also get guaranteed quality with MPC and for £170 you can’t really go wrong.
March 20, 2012 § Leave a Comment
Numark iDJ Live
Last week I became slightly obsessed with finding a DJ control surface for the iPad. There was a possibility of hotel party on the weekend and I didn’t want to bring a computer or DJ rig.. but I really wanted to bring some music. The iPad itself is not an ideal dj interface; the lack of tactile control ruins the fun for me. Now you’d imagine that within the prolific world of DJ applications there might be more hardware controllers on the market for iPad use. But most developers have focused on the application side of the experience rather than the hardware.. and there’s really not much out there besides this piece of hardware designed by Numark that works with Algoriddm’s popular Djay iOS application. So I gave it a shot.. what the heck, right? Sam Ash has a 30 day return policy. But you know what? After a week of playing with this thing, I don’t think it’s going back.
Now I feel the best way to approach this mini-review is in Top-Gear style (if you’ve never seen Top Gear, they have what I’d call a reverse complement-sandwich approach) where I’ll begin with where this device falls short and why you’d never want to use it for a pro gig. I really didn’t think that I would like this device for the sake of it’s DJ-Hero style design and immediately upon opening the box I realized this interface lacked many features that I take for granted in other dj setups.
The initial groans happened when I realized that the headphone / monitor functionality of this program/device happens via a simple 1/8th inch stereo to mono splitter cable. This means you must run a mono output if you want to use monitor headphones. In addition there’s no headphone volume on the iDJ Live (a splitter cable gives you the headphone output). After playing around with the output options on different stereos I concluded that I could not deal with the sound of this split/mono signal. Some modern house tracks seemed to phase into the abyss without the stereo field. The next issue I found was that the EQ works fairly well but there’s no mid-band EQ, only Hi and Low (mid exists in the Djay app but not on the interface). The third thing I realized about iDj Live was – no pitch faders. The pitch faders do exist within the Djay application but they are therefore on your iPad – not the place where I want to find them. Upon realizing this I thought – well the sync better work.
And here comes the good news. The Djay application is actually a well-designed app that has been finessed to give you the feel of working with vinyl. The BPM detection and sync functionality are actually really good. Djay misread the tempo on a few of my tracks but for the most part it could detect and match the BPM of most house tracks I ran through it along with some dub, bass, techno and electro. Now an interesting thing about the sync feature is that it doesn’t seem to work the same way that Traktor does with Beat Grids. It does detect a Beat Grid, and to some extent it reads the timing / phrase. But it’s not always accurate. Strangely, this is part of why I started to like this device.
While Djay offers a beat-matching functionality, it’s not perfect and therefore you have to pay attention to the mix and adjust things as you go. With Djay and the iDJ Live I found I had JUST ENOUGH control over the mix that I could keep it running for a good three or four minutes. There are four buttons (two for each deck) at the top of iDJ Live and I found that a quick press in either direction could nudge a track back into the mix fairly easily. The platters on the device are actually a lot of fun in Scratch Mode, but be sure to switch modes when you’re using the EQ because a small bump can skip your record. I can forgive this because the scratch function is tactile and accurate. I found that I could drop a beat into a mix by hand and quickly get things in sync with minor adjustments.
As a DJ who came up on 1200s and CDJs, I like beat matching. I believe this love has a lot to do with the meditative side of the DJ experience. It also provides the gratification of training your ears and timing. When I am IN the mix I find more spontaneity in my mixing and choice of music. When I’ve used Traktor I find that my mixing is often very structured and when the Sync button is depressed I get incredibly bored with the DJ experience. With the iDj Live and Djay app, two things happened that made me enjoy the experience. First, I had to ride the mix a bit (even with sync being used) and the control experience of the platters reminded me of turntables. Second, I got away from my computer. I spend far too much time in front of a computer monitor and I’m eager to get away at any chance. The iPad is not exactly getting away from the computer but it’s different enough (and small enough) to make it feel like a different experience. Add to this the tactile control for scrolling through your music library with the Numark hardware, and it just feels better than a laptop.
One benefit of using the iPad as your music source is that you must decide what to put on it. By limiting my music selection to whatever fits on the iPad there is a back-to-roots sort of thing happening. It used to be that you had to fit ALL your music into one or two bags for a performance and you’d practice with those tracks. Today there is endless possibility for selection when you have a 3TB hard drive and I find that a lot of DJs don’t take time to create a flow with their mixes. I’ve always felt that art is best created with limits, and DJing is no exception. I’ve recently found a nice workflow of dumping all my new tracks onto the iPad and then later using the iPad and iDJ to sift through the music and find mixes. For some reason the experience is much more gratifying than dropping tracks into Ableton or Traktor. Being away from the computer allows me to listen differently and I can discern which tracks need to stay in the collection and which can go.
Currently iDj Live sits on a small shelf in my living room with the iPad plugged into a small Bose portable speaker. It sounds nice when the levels are set at 50% – just loud enough to rock out but soft enough to not bother the neighbors. I don’t use the splitter cable nor do I use headphones for mixing with this unit. I find that the waveform display allows me to cue up a track visually while using the platters and the bpm sync is usually close enough to drop the track in and use the + and – buttons to get things running in sync. The EQ is not extensive but if I find tracks that work together in this sort of setup they are guaranteed to work together in a pro format. And that’s part of the point of all of this. When I play professional gigs I’ll most likely use 1200s, CDJs, and possibly Serato/Traktor. But I don’t have room for a massive digital DJ setup in my house (and I’d rather spend that money on synths these days). I’ve been looking for a solution to this dilema and for $80, the iDJ Live seems to be working fairly well. It’s small, light, easy to use and a lot of fun to have sitting around for spontaneous mix sessions. I look forward to future updates of Djay as well. Algoriddm seems to be doing great things with this program.
Ps, Did I mention that my 14 month old LOVES it?
December 2, 2010 § Leave a Comment
I’m truly excited about this app. Check out the beautiful combination of graphic interface and sound control. Information from the Konkreet Labs website:
Konkreet Performer is a control instrument for live music performance. Its unique and intuitive multi-touch interface reconnects the musician’s actions directly with the music.
Taking full advantage of the possibilities created by the latest multi-touch technology, Konkreet Performer delivers a revolutionary new way to control your DAWs, synthesizers, samplers (anything that receives MIDI/OSC).
More than a studio controller, Konkreet Performer has been designed from the ground up to be a superior live performance instrument, bringing the dynamic audio and visual connection between the musician and the audience to the stage. It will be released as an iOS App at the beginning of 2011.
November 11, 2010 § Leave a Comment
Of all the music apps I’ve used on the iPad, the Korg iElectribe was by far the most polished and refined offering. So I was eager to see the announcement of Korg’s iMS-20 for iPad, now selling for $15.99 at the iTunes app Store. The videos and clips (below) look incredible. Multi-touch re-routing, sequencer and analog power on your iPad. (Personally I can’t wait to run this through a KP3 as well.)
October 29, 2010 § Leave a Comment
If you caught the Plastikman show this year you probably had one of those “omg how is this happening” moments. We have known about Griid, the Ableton clip launcher, and we’ve seen the youtube videos but still wondered: How is he doing this? Well, this is how: Kapture.
Liine, in association with Minus, are proud to release Kapture for free, a “total recall” Max for Live device developed alongside Richie Hawtin exclusively for his Plastikman Live tour:
“The sounds and sonic signatures in Richie Hawtin’s Plastikman Live show are heavily reliant on complex configurations of sends, returns and feedback loops as well as combinations of instrument and effect parameters. Our challenge was to build a system to manage this huge number of parameters in a live scenario. Kapture is the solution to that challenge. Similar to a preset management system for the whole of Ableton Live, it allows you to Kapture the state of your set.
We’re now very glad to be able to release it to the public and to see how other people use it in performances and in the studio. Kapture is not a polished mainstream product but something developed for a very specific show. However, we think that it’s something that many people will find very useful if they are willing to get their hands a little dirty and tweak it to fit their setup.”
You can read more about this project at Dubspot, where I have a bit more info on the release.
October 19, 2010 § Leave a Comment
“The idea for SoundPrism is quite old actually. About 22 years ago Gabriel’s father found that organizing tones of keys in a circle of thirds makes it very easy to understand basic harmonic theory because the visualization ‘just makes sense’. Back then he taught it to his two sons, Gabriel and David, and from then on they passed all music school theory exams with flying colors. He tried to convince their teachers that this method was far better for teaching children but they didn’t listen to him at all.”
Read more at Create Digital Music
October 18, 2010 § Leave a Comment
You’ve probably seen the music interface TouchOSC by now.. the iPhone/iPad/iPod software that works as a remote midi control device with customizable user interface. It’s very cool. But unless you are into downloading midi-maps and getting your hands a bit dirty in setup, they are not (yet) perfectly integrated into the studio workflow. But this is about to change – last week Apple announced support for TouchOSC in their latest update to Logic Pro. This marks a big turn for the OSC protocol which has been gaining momentum but has not (until now) seen much integration from the leaders of the industry. If you have Logic and you have an iDevice, I highly recommend picking up TouchOSC and firing up Logic to see how they work together. Below is a how-to guide from Sam Greene on setting this up.
Update your device to the latest version of TouchOSC and you should now see a layout called LogicPad or LogicTouch. Choose that layout and Logic will prompt you to use it. If you are not prompted for it, go to Logic Pro > preferences > control surfaces > Setup…
Dive down into the control surfaces setup:
Add a New Device:
You should now be hooked up.
A quick review of the layouts show that they can control the track volumes, pan, send levels and other more advanced aspects such as the automation mode. You can also apply eq to each track, which will automatically enable the eq for the track, which is intuitive, but somehow still amazing. The iPad layout has a page for instrument settings, which I’ll be investigating as soon as I can.
So very nice of them to get this working. Works without any OSC to MIDI converters. Start the app and it’s on. I haven’t been able to get the iPad to transmit to Logic yet, but haven’t given it any effort aside from changing the ports to 7000/7001. Hopefully a little prodding at it should do the trick.
October 17, 2010 § Leave a Comment
Admittedly I haven’t dabbled with the Novation Launchpad as much as I would like. I don’t own one.. and do I really need more gear in the studio to learn? Probably not. But this series of templates for the Launchpad and Ableton Live (from Aurex) are starting to make me a believer. Lots of love to Aurex for publishing these templates for Free!
What you’ll need:
- Aurex sequencer templates
- Ableton Live 8.1.3 (or higher version)
October 15, 2010 § 1 Comment
I’ve been wanting to write a bit more about the evolution of digital DJing on this blog, especially because it’s something close to my heart and something I follow with great interest. And my interest is this: After a longtime love affair with vinyl and a career as a nightclub dj I moved west and had to let go of many beautiful records along with my Tech 12′s and mixer back east. Besides, I’ve dedicated myself to learning more about the art of production, music creation, design and interfaces for the moment.. so the 1200′s (and thousands of records) were really taking up a bit of space in my creative domain. I had new things to work with and DJing was starting to take a back seat to other creativity.
Fast forward to now.. where I have two Macs, an iPad, nice interfaces to work for music, video photo… with and a good workflow for creation. For DJing I can create dj mixes in a variety of ways but lately I realize something has been missing. Itunes and Ableton Live don’t offer the workflow of vinyl and a mixer.. which is really (still) the fastest and most instantly gratifying way of experiencing DJing. You can use Traktor and a mouse.. but it’s nowhere near as fun as the old school method.
Now I should note that Native Instruments (amongst other companies) have bridged this gap, creating different interfaces that allow you to physically control the music. But most of these are on the pricey end.. and at the moment I don’t have the money to spend on (more) gear.
So how incredible was it to find a fully functioning dj interface for $25? Pretty incredible. (Touch OSC on an iPad, Osculator software and Traktor – more on these in a moment.) Enter the world of iPad interface design, something I stumbled into by way of a need to dj but has not opened many other doors in my brain for interface design and the iPad. With the advent of some open-source communication software and a do-it-yourself interface design software I have re-found the fun of djing and have started to believe in the digital DJ revolution.
[Authors note: I do own an iPad, which is a $500 investment. But the iPad was lacking in software that offers "real" workflow productivity with music software. So many of us who were early adopters of the technology have been waiting hopefully and patiently for the following applications to happen.]
Here is what I used to set up a fairly easy to install and use DJ setup for Traktor:
1. Traktor 1.2.4 on a MacBook/Pro
2. iPad with Touch OSC software installed ($4.99 to purchase at iTunes Store)
3. OSCulator software on your mac (free to demo, $20 for license)
4. Template files for ALL THREE above software, which can be found easily by visiting the Osculator forums