April 11, 2012 § Leave a Comment
Guest blogger Steven Williams got to look at the MPC Fly at Musikmesse and sent us his thoughts:
The new Akai MPC Fly combines two of the most iconic musical production tools of the last few decades, the MPC controller and the iPad. As you’ve probably noticed by the images, the two devices seamlessly combine to create a laptop style case that securely protects you’re iPad. But the Fly is much more than just a case; it has 16 genuine MPC velocity-sensitive pads in the familiar 4×4 layout and a four-track sequencer for beats on the go. The MPC Fly is built with the same quality as the rest of the MPC series but as it costs just £170, it needs to be integrated into a DAW or higher-end MPC unit to be used to its full potential. Ideally you make you’re beats on the go and then take you’re results back to the studio and optimise them. (Author’s note – its important that I stress it isn’t compatible with the 1st generation iPads so don’t make that mistake.)
With the introduction of the iPad you get the obvious benefit of a well-designed and integrated app and it looks like Akai have taken great time and effort in creating the application side of the Fly. Like I’ve mentioned, you can sequence 4 tracks at the same time and there’s an existing library of various drum sounds and samples that were at a higher quality than I was expecting. You can also adjust each sample’s velocity, length and tuning through what Akai’s renowned the 16 level mode.
I really like the Akai MPC Fly because it is targeted a larger audience but for various purposes. It could be a producer’s best friend and be used to fine-tune songs on the way to the studio or by you’re average guy in his room making tunes. You also get guaranteed quality with MPC and for £170 you can’t really go wrong.